Company History
| |
show |
director |
venue |
| 2004 |
The Concert |
Merophie Carr |
The Academy Concert Chamber,
Academy Playhouse (New Zealand)
The Fuel Festival |
| 2003 |
The Concert |
Merophie Carr |
The Assembly Rooms (Edinburgh)
Edinburgh Fringe Festival |
| 2003 |
The Concert |
Merophie Carr |
The Store Room (VIC)
Melbourne International Comedy
Festival |
Winner British Council Arts Oz Export Award 2003
Barry Award Nominees 2003 Melbourne International Comedy Festival
|
| 2002 |
The Concert |
Merophie Carr |
The Store Room (VIC)
Melbourne Fringe Festival |
| 2002 |
One Man’s Business |
John Bolton |
The Store Room (VIC)
Melbourne International Comedy Festival |
| 2002 |
One Man’s Business |
John Bolton |
Traverse Theatre (Edinburgh)
Edinburgh Fringe Festival |
Winner of 2002 Foreign Exchange Award - Melbourne International
Comedy Festival
Moosehead Comedy Award recipient 2001
Green Room Award Nomination 2003 for Female Performance
|
| 2001 |
The Business …as Usual |
John Bolton |
Belvoir St (NSW) |
| 1999 |
The Business …as Usual |
John Bolton |
La Mama (VIC)
Melbourne Fringe Festival |
Winner Best Comedy Award – Melbourne
Fringe Festival
|
| 1998 |
The Business |
Barry Laing
|
Carlton Courthouse (VIC) |
Background
THE BUSINESS formed in 1997 performing short improvised theatre pieces
at Al Wunder’s Theatre Of The Ordinary. Interested in clown and physically
driven comedic theatre THE BUSINESS are four women dressed as men – four
flawed and loveable characters Paul, Barry, Ray and Pierre. They may be
described as the eternal optimist with a second hand car salesman charm,
the obsessive eccentric, the loser oblivious to his own idiocy, and the
grumpy overeating independent.
THE BUSINESS create physical theatre that has musical and dance elements,
slapstick and gags, and is largely non-verbal. The focus is humanity
and the relationships between characters – the empathy and pathos
to be found when the audience identifies with the characters’ ridiculousness
and vulnerability.
The Business…. As Usual looks at the insular
world of government played as a game, far removed from the horrendous
consequences of its
actions. The Concert explores the desire for professional recognition,
self-delusion
and striving (and exposes the idiosyncracies of concert performers along
the way).
The work generates strong visual images – for example
hundreds of letters falling like rain upon the hapless government officials,
or
the
painting of ultimate disappointment spread across the faces of the concert
members who have the wrong instruments to play on the Night of All Concert
Nights. There is mad dancing and competitive play for the secret wine
bottle and its forbidden contents; there is ballet of office chairs and
farcical
elections.
THE BUSINESS has demonstrated a commitment to furthering the
development of women’s clown performance in Australia.
Reviews
| |
The Concert reviews from seasons
@ Edinburgh Fringe Festival 2003.
@ Melbourne International Comedy Festival 2003
|
|
| |
various quotes below: |
|
| |
“The clowning is first class… The Concert is at the high-quality end of the Comedy Festival – a real treat.” |
The Age |
| |
“What a brilliant slapstick adventure… I’ve not seen better.” |
MCV |
| |
“Like the Marx Brothers – except that they are women in bad suits and moustaches” |
Herald Sun |
| |
“The tradition of clowning is re-interpreted in such a clever way, that every audience member is willingly taken on a fabulous and hilarious journey of hope, despair, trouble and strife and even a little bit of disco-dancing.” |
Melbourne Fringe Festival Director 2002 |
| |
“The visual gags are complex but made to look effortless…excellent comic timing.” |
Melbourne Times |
| |
“If you like physical comedy and visual humour, The Business really has the goods.” |
Herald Sun |
| |
“Constantly surprising, brilliantly absurd and mostly wordless show. Don’t miss it.” |
Herald Sun |
| |
|
|
|