Company History

  show director venue
2004 The Concert Merophie Carr The Academy Concert Chamber, Academy Playhouse (New Zealand)
The Fuel Festival
2003 The Concert Merophie Carr The Assembly Rooms (Edinburgh)
Edinburgh Fringe Festival
2003 The Concert Merophie Carr The Store Room (VIC)
Melbourne International Comedy Festival

Winner British Council Arts Oz Export Award 2003
Barry Award Nominees 2003 Melbourne International Comedy Festival

2002 The Concert Merophie Carr The Store Room (VIC)
Melbourne Fringe Festival
2002 One Man’s Business John Bolton The Store Room (VIC)
Melbourne International Comedy Festival
2002 One Man’s Business John Bolton Traverse Theatre (Edinburgh)
Edinburgh Fringe Festival

Winner of 2002 Foreign Exchange Award - Melbourne International Comedy Festival
Moosehead Comedy Award recipient 2001
Green Room Award Nomination 2003 for Female Performance

2001 The Business …as Usual John Bolton Belvoir St (NSW)
1999 The Business …as Usual John Bolton La Mama (VIC)
Melbourne Fringe Festival

Winner Best Comedy Award – Melbourne Fringe Festival

1998 The Business

Barry Laing

Carlton Courthouse (VIC)

Background

THE BUSINESS formed in 1997 performing short improvised theatre pieces at Al Wunder’s Theatre Of The Ordinary. Interested in clown and physically driven comedic theatre THE BUSINESS are four women dressed as men – four flawed and loveable characters Paul, Barry, Ray and Pierre. They may be described as the eternal optimist with a second hand car salesman charm, the obsessive eccentric, the loser oblivious to his own idiocy, and the grumpy overeating independent.

THE BUSINESS create physical theatre that has musical and dance elements, slapstick and gags, and is largely non-verbal. The focus is humanity and the relationships between characters – the empathy and pathos to be found when the audience identifies with the characters’ ridiculousness and vulnerability.

The Business…. As Usual looks at the insular world of government played as a game, far removed from the horrendous consequences of its actions. The Concert explores the desire for professional recognition, self-delusion and striving (and exposes the idiosyncracies of concert performers along the way).

The work generates strong visual images – for example hundreds of letters falling like rain upon the hapless government officials, or the painting of ultimate disappointment spread across the faces of the concert members who have the wrong instruments to play on the Night of All Concert Nights. There is mad dancing and competitive play for the secret wine bottle and its forbidden contents; there is ballet of office chairs and farcical elections.

THE BUSINESS has demonstrated a commitment to furthering the development of women’s clown performance in Australia.


Reviews

 

The Concert reviews from seasons

@ Edinburgh Fringe Festival 2003.
@ Melbourne International Comedy Festival 2003

 
  various quotes below:  
  “The clowning is first class… The Concert is at the high-quality end of the Comedy Festival – a real treat.”
The Age
  “What a brilliant slapstick adventure… I’ve not seen better.”
MCV
  “Like the Marx Brothers – except that they are women in bad suits and moustaches”
Herald Sun
  “The tradition of clowning is re-interpreted in such a clever way, that every audience member is willingly taken on a fabulous and hilarious journey of hope, despair, trouble and strife and even a little bit of disco-dancing.”
Melbourne Fringe Festival Director 2002
  “The visual gags are complex but made to look effortless…excellent comic timing.”
Melbourne Times
  “If you like physical comedy and visual humour, The Business really has the goods.”
Herald Sun
  “Constantly surprising, brilliantly absurd and mostly wordless show. Don’t miss it.”
Herald Sun